"Surviving cancer in my twenties helped me recognize that our greatest accomplishments in life are the relationships we build and the connections we feel with others."
Northwest Academy junior Max Orton was recently admitted into the Reed College Young Scholars program and is learning how to operate the campus nuclear reactor.
Yankee Hotel Foxtrot touches on the feelings of a loss of communication and isolation over experimental instrumentation rooted in traditional rock and roll. Every song on this record has a very distinct and unique instrumentation, keeping the listener engaged.
Yankee Hotel Foxtrot touches on the feelings of a loss of communication and isolation over experimental instrumentation rooted in traditional rock and roll. Every song on this record has a very distinct and unique instrumentation, keeping the listener engaged.
On Friday, February 21st, Northwest Academy is hosting its first ever Battle of the Bands competition.
Hadley Pack, the High School Activities Coordinator, had...
“Void of Course” draws its name from an astrological term that describes a period when the Moon is not making any major aspects before it transitions into the next sign.
"I think living in the Information Age, where you (students) have spent your entire lives has had an interesting effect on this, because it counters the very idea of the unknown."
“Void of Course” draws its name from an astrological term that describes a period when the Moon is not making any major aspects before it transitions into the next sign.
Chazelle intended this as a cautionary tale, but there is a greater harm in blending obsession with inspiration. Cinema is a powerful tool, and it’s dangerous when misinterpreted.
For the recent E/H 4 final project, students were tasked with creating an artistic response that explored the main themes presented in the class thus far, including family, home and patriarchs.
The History and Popular Music of the ’60s class learned about The Supremes' breakthrough album, Where Did Our Love Go (1964). Here are their reactions.
In Mary Shelley’s Frankenstein, the character of Elizabeth is said to be Victor’s cousin, sister and bride. But is she anything more than an object to serve Victor’s needs and desires? Or is she simply a “shrine-dedicated lamp," existing solely as a decoration to furnish Victor’s love life?
